The Pangcah people living in the urban area used to compete and win the dragon boat race every year, but only as hired agents in a festival event of the Han Taiwanese. In 1995, a team of Pangcah contestants decided to compete in the race under the names of their community...
In the 1920s, a Kavalan family took refuge in Hualien. 70 years later, the filmmaker, a third-generation member of the family, embarked on a self-searching journey to recover his lost identity, producing the first documentary ever made by a Pingpu descendant.
A group of Pangcah people left their homeland in the eastern Taiwan to seek jobs on the western coast. They drifted from one construction site to another, until they finally settled on a temporarily unclaimed clearing behind a university, building a community far away from home.
My sister Pei-ling went through with an unexpected pregnancy. The child was nicknamed Angoo. In three years, Pei-ling broke up with the child's father, met a new boyfriend, left Angoo in my parents’ care to move in with her boyfriend...
An indigenous couple married young with a child when they were only 16 and 19 years old. The financial burden and challenges in life were so heavy for them that quarrels were unavoidable.
Part oral history, part reflection on a culture at risk of being erased, this documentary presents a deep dialogue between a 94-year-old Pangcah chieftain and an indigenous filmmaker.
How would the Mabanan community reclaim their homeland when the government still refused to recognise proofs of residence of their ancestors?
Song of the Wanderer features a group of 'voiceless people', a part of the indigenous community in which the filmmaker resides. Due to frustrations with work, divorce, and life in general, they are often subject to isolation, emotional breakdowns, and even self-harm behaviours.
After restoring their Ceremony of Ancestral Spirits, the Atayal people of the Raisinay Village, Miaoli County, were distressed by the absence of their traditional garments.
In 1999, the Indigenous Culture Club at the National Taiwan University held a series of annual ceremony activities as a tribute to traditional indigenous rituals.
In the Atayal mythology, the souls of the deceased arrive in Heaven by way of the rainbow, yet only the ones who have the traditional face tattoo would be welcomed by the Ancestral Spirits.
In the 1990s, foreign migrant workers began to occupy the Taiwanese workforce under the government’s new policy. Many indigenous labourers lost their jobs and were forced to return to their homelands...
Charged with violation of the Water Act, the indigenous community living under the San-ying Bridge was forced to witness their shelters and homes being torn down by the government every year, while the sand and gravel processing plant on the east bank grew larger and larger...
Mr. Lin is a happily retired man. Recently, he has been obsessed with houses with river views. Above the skyline of Taipei, will the boundaries between daydreams and reality ever blur?
On a rainy afternoon, the filmmaker set out from a hospital and followed an elderly window screen repairman to Toad Hill, an old settlement on the outskirts of Taipei, helping him to find a woman from his past.
Gubuk (Hut) is an experimental project growing out of Indonesian migrant workers' personal experiences in Taiwan.
In 2009, the director enjoyed an unforgettable self-driving tour in northwest Guangdong, China. He revisited the same sites with his college roommate in 2016, meditating on the ideas of people, places, and serendipity.
Portrayed in black and white photography, this observational documentary poetically depicts the twilight days of a village and its people by the dreamlike Inland Sea.
This unique experimental film poetically depicts the struggle of a daughter and her father's descent into depression combines live action, documentary and animation.
T. S. ELIOT: ‘What might have been is an abstraction remaining a perpetual possibility only in a world of speculation.’...
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